The Tuba from Sinaloa in the Renewal of 21st Century Mexican Regional Music
Main Article Content
Abstract
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors publishing work in this journal agree to the following conditions:
Authors retain copyright and assign first publication rights to the journal Frontera Norte (RFN), with the texts registered under an Attribution-NonCommercial-NoDerivatives 4.0 International Creative Commons license (CC BY-NC-ND 4.0), which allows third parties to use published material provided they give credit to the authors and acknowledge this journal as the first publisher.
They authorize the reproduction, publication, translation, communication, and transmission of their paper and all accompanying material, publicly and in any form and by any means; its public distribution in as many copies as required; and public communication thereof in any form, including making it available to the public through electronic means or any other technology, and solely for dissemination and scientific, cultural, and non-commercial purposes.
Authors may enter into further independent contractual agreements for the non-exclusive distribution of the version of the paper published in this journal (for instance, to include it in an institutional repository or personal webpage, or publish it in a book), provided it is not for commercial purposes and they clearly state that the work was first published in Frontera Norte (RFN) [and add the corresponding bibliographical record: Author/s (Year). Title of paper. Frontera Norte, volume (number), pp. doi: xxxx].
To that end, authors must submit the form assigning ownership of first publication rights, duly completed and signed. This document is to be uploaded in PDF format as a complementary file on the OJS platform.
This work is released under an Attribution-NonCommercial-NoDerivatives 4.0 International Creative Commons license (CC BY-NC-ND 4.0)..
References
Alfaro, J. (2016, 10 de agosto). Banda Los Increíbles de Puerto Peñasco [Video] [Publicación de estado]. Facebook. https://www.facebook.com/juan.alfaro.18847/videos/709358039203325
Andrew, I. D. (2011). Tubador! Using banda Sinaloense to improve tuba technique [Tesis de maestría, California State University, Long Beach].
Beauregard, C. N. (1970). The tuba: A description of the five orchestral tubas and guidelines for orchestral tuba writing [Tesis doctoral, University of Rochester]. https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=5761&itemFileId=8946
Bierley, P. E. (2006). The incredible band of John Philip Sousa. University of Illinois Press. http://books.google.com/books?id=J2gdCa_4d2gC&pgis=1
Bowles, E. A. (2006). The impact of Turkish military bands on European court festivals in the 17th and 18th centuries. Early Music, 34 (4), 533-559. http://www.jstor.org/stable/4137306
Brucher, K. y Reily, S. A. (Eds.). (2013). Brass bands of the world: Militarism, colonial legacies, and local music making (1.a ed.). Ashgate Publishing Ltd.
Chamorro Escalante, J. A. (2006). Mariachi antiguo, jarabe y son. Gobierno del Estado de Jalisco-Secretaría de Cultura.
Contreras Arias, J. G. (1988). Atlas cultural de México. Música. Secretaría de Educación Pública; Instituto Nacional de Antropología e Historia; Grupo Editorial Planeta.
Detwiler, D. (2024, 25 de noviembre). C. G. Conn basses. A complete list [Entrada de blog]. Strictly Oompah. https://tubapastor.blogspot.com/2022/04/c-g-conn-basses-updated-list.html
Díaz Santana, L. A. (2016). Historia de la música norteña mexicana: desde los grupos precursores al auge del narcocorrido. Plaza y Valdés Editores.
Everett, M. (2013). Low brass methods. Wind Music, 7.
Flores Gastélum, M. (1988). Historia de la música popular en Sinaloa. Gobierno del Estado de Sinaloa-Dirección de Investigación y Fomento de Cultura Regional.
Francfort, D. (2005). Pour une approche historique comparée des musiques militaires. Vingtième Siècle. Revue d’histoire, 85 (85), 85-101. https://doi.org/10.2307/3772029
Galindo, S. (Dir.). (1983). La tuba de Goyo Trejo [Película]. Teleteatro.
García, D. (2007). Pitos y flautas. Consejo Ciudadano para el Desarrollo Cultural Municipal de Guasave.
González, J. A. (2014). La dimensión pueblerina de la industria cultural de la música: una mirada “antroponómica”. Intercom: Revista Brasileira de Ciências Da Comunicação, 37 (2), 285-312. https://doi.org/10.1590/1809-5844201413
González Sánchez, I. (2010). “Las Perradas” de Nogales. Una aproximación sociocultural a la música de banda sinaloense en los rituales festivos de la frontera Sonora-Arizona [Tesis de maestría, El Colegio de la Frontera Norte]. https://www.colef.mx/posgrado/tesis/2008837/
González Sánchez, I. (2016). Bandas, tecnobandas, farabandas y tamborazos: cambios instrumentales y estilísticos en la música popular de banda de viento mexicana. En M. Olmos (Coord.), Música indígena y contemporaneidad: nuevas facetas de la música en las sociedades tradicionales (pp. 263-291). El Colegio de la Frontera Norte; Instituto Nacional de Antropología e Historia.
Greene, V. (1992). A passion for polka: Old-time ethnic music in America. University of California Press. http://books.google.com/books?id=bAzGNogQmM4C&pgis=1
Keil, C. (2013). Foreward. En K. Brucher y S. A. Reily (Eds.), Brass bands of the world: Militarism, colonial legacies, and local music making (pp. xiii-xx). Ashgate Publishing Ltd.
Krissy, C. (2012, 16 de febrero). Hold on to your tuba: Brass bandits hits L.A. schools. KQED- NPR’s Weblog. https://www.npr.org/2012/02/16/146987033/hold-on-to-your-tuba-brass-bandits-hit-l-a-schools
Lindemann, H. (1999). Trompa y trompeta. En Enciclopedia de la Música, Clásica, ópera y ballet (p. 250). Ediciones Robinbook.
Loza, S., y Haro, C. (1994). The evolution of Banda music and the current Banda movement in Los Angeles. Reports in Ethnomusicology, 10 (23), 59-71.
Megill, D. D., y Demory, R. S. (2001). Introduction to Jazz History (5ta ed.). Pearson Education.
Memmott, M. (2011, 12 de diciembre). What a sour note: Thieves target tubas in southern California. The Two-Way-NPR’s News Blog. https://www.npr.org/sections/thetwo-way/2011/12/12/143572855/what-a-sour-note-thieves-target-tubas-in-southern-california
Montoya Arias, L. O. (2014). El síndrome de la nostalgia. Conaculta; INAH.
Morales, Y. (2014, 16 de julio). Censura no erradicará a los narcocorridos. Milenio. https://www.milenio.com/estados/censura-no-erradicara-a-los-narcocorridos
Myers, A. (1998). Characterization and taxonomy of historic brass musical instruments from an acoustical standpoint [Tesis doctoral, University of Edinburgh]. http://www.era.lib.ed.ac.uk/handle/1842/1824
Myers, A. (2009). Acoustical history of the tuba. The Journal of the Acoustical Society of America, 125 (4), 2598-2598. https://doi.org/10.1121/1.4783885
National Public Radio (NPR). (2012, 4 de enero). The tuba takes its spotlight in Mexican bandas. NPR Music. www.npr.org/2012/01/04/144678543/the-tuba-takes-its-spotlight-in-me?ican-bandas?ps=rs
Orth, J. (2015). Mexican-American music culture in southern California [Tesis doctoral, University of North Texas]. https://digital.library.unt.edu/ark:/67531/metadc804941/
Pasetto, M. (1998). Jazz. La via della musica afroamericana. Demitra SRL.
Phillips, H. y Winkle, W. (1992). The art of tuba and euphonium, vol. 1. Alfred Music Publishing.
Pirker, M. (1990). Pictorial documents of the music bands of the Janissaries (Mehter) and the Austrian military music. RIdIM/RCMI Newsletter, 15 (2), 2-12. http://www.jstor.org/stable/41604938
Ramírez Paredes, J. R. (2012). Huellas musicales de la violencia: el “movimiento alterado” en México. Sociológica, 27 (77), 157-194. https://www.scielo.org.mx/scielo.php?script=sci_arttext&pid=S0187-01732012000300006
Ruano, E. (2014, 7 de febrero). Música y tuba en México [Entrada de blog]. https://eduardruano.com/2014/02/la-tuba-en-mexico/
Ruiz Torres, R. A. (2002). Historia de las bandas militares de música en México: 1767-1920. [Tesis de maestría inédita]. UAM Iztapalapa.
Russell, R. (2008). Ghost cats of the South. John F. Blair.
Sachs, C. (2012). The history of musical instruments. Dover Publications. http://books.google.com/books?hl=fr&lr=&id=W615TIDz97UC&pgis=1
Salas, J. D. (2011). El Tubador: The tuba’s use in banda Sinaloense [Tesis doctoral, University of Kentucky]. https://www.proquest.com/openview/b0a200b4f1f205a9bcd6f9b8b7062cb9/1?pq-origsite=gscholar&cbl=18750
Salgado, E. [Tubero de los Artistas]. (2012, 30 de noviembre). Como tocar El Sinaloense en tuba [Video]. YouTube. https://youtu.be/ww0mdehpVhM?feature=shared
Signell, K. (1968). Boomings, jinglings, and clangings: Turkish influences in western music. Music Educators Journal, 54 (9), 39-40. https://doi.org/10.2307/3391342
Simonett, H. (2001). Banda: Mexican musical life across borders. Weysleyan University Press.
Simonett, H. (2004). En Sinaloa nací: historia de la música de banda. Asociación de Gestores del Patrimonio Histórico y Cultural de Mazatlán.
Simonett, H. (2013). From village to world stage: The malleability of Sinaloan popular brass bands. En K. Brucher y S. A. Reily (Eds.), Brass bands of the world: Militarism, colonial legacies, and local music making (pp. 199-216). Ashgate Publishing Ltd.
Sinagawa Montoya, H. (2002). Música de viento. Creativos 7.
Sullivan, E. A. (2011). Cálculos musicales. Benchmark Education Company. http://books.google.com/books?hl=fr&lr=&id=iXguW4PaqccC&pgis=1
Thomson, G. P. C. (1994). The ceremonial and political roles of village bands, 1846-1974. En W. H. Beezley, C. E. Martin y W. E. French (Eds.), Rituals of rule, rituals of resistence: Public celebrations and popular culture in México (pp. 564-625). Rowman & Littlefield Publishers.
Ziolkowski, J. E. (1999). The invention of the tuba (trumpet). Classic World, 92, 367-373.